Regarding perichoresis, Rohr has spoken and written rather extensively regarding divine interpenetration and indwelling, all in fidelity to its patristic etymological roots. Of course its not uncontroversial to univocally predicate such a perichoretic dynamism of persons, both divine and imago Dei, but its eminently defensible.
What’s not defensible, though, is the presupposition that Rohr’s use of dance imagery was grounded in philological warrant, though, rather than metaphorical effectiveness, which was precisely LaCugna’s position.
As it is, again, the apophatic and theopoetic evocation of perichoresis refers to a relational reality and not an ontotheological modeling attempt. The dance metaphor thus belongs to Rohr’s trinito-phany and is not over against classical trinito-logy. As such, it doesn’t tell us how to think about the immanent Trinity in terms of essence, but how to experience the economic Trinity in terms of divine energies (or other psalmodic not philosophic metaphors).
Rohr’s inviting us into a robustly relational, contemplative, mystical experience and not rewriting classical trinitarian formulae.
trinitology, trinitophany, catherine lacugna, richard rohr, mike morrell, perichoresis, divine energies, divine dance, immanent trinity, economic trinity, ontotheology, theopoetic, mystical experience, contemplative experience, apophatic